Designers Of Luxury Brands: Living A Daily Home As An Art
More and more young people who like clothes, obsessed with art and love music begin to pay attention to daily details and care for the neglected lifestyle.
Not long ago, the Barcelona interior design magazine "Apartamento" met the "lifestyle" theme of the Korean independent band Hyukoh's lead singer and guitarist Wu he visited the general music house, and his rarely known "living".
Of course, in many designers and musicians, there are a lot of "fetishes" who taste and pick up. They not only make a unique public image in their own fields, but also play the role of lifer in life.
If we want to thoroughly interpret the works of this group of creatives, we can only know that the established people in front of the stage, and read the exaggerated reports in the entertainment media, are far from being able to enter their safe haven.
For a leisurely way of enjoying everyday life, placing a secret space with personal belongings is a way for them to break away from external disturbances, seek creative inspiration and preserve true self.
Next, we might as well walk into the following "life".
Raf Simons: Modernist collectors
Long before deciding to become a real fashion designer, the Raf Simons of the university only studied industrial design and switched to architecture after graduation.
It was not until the scene of the Maison Margiela 1990 spring summer series was encouraged that the court households finally changed their fashion.
Like a creative genius whose identity is almost vague, he will never slack off with his private apartment in Antwerp.
The open apartment built in the 1968 is branded with Modernism's traces of the middle nineteenth Century, and its owner's love for art and furniture has increased a bit elegantly.
Next to the hall is the staircase stacked on the floor of the lalix tree, with a pair of five asymmetrical legs on the top of the carpet.
The improved long "Conoid" Windsor chair leaned against the window.
The annexed old wooden designs, which have the sculptural sharp structure and clear lines, inherited the ideology of Raf Simons's preference for function and form.
On the side of the hall is a large push window on the floor, lying on the wooden sofa of the French furniture master Pierre Jeanneret, and you can see the green field around the apartment.
The porcelain of Picasso in his later years, the graceful curfew of the bottle body, embellished a slightly dull brown wood cabinet.
The hand painted flag with eight sides of Mike Kelley on top (devil mask, head skeleton...
The punk element, the most influential figure in the twentieth Century conceptual art movement, was regarded as the source of originality for early personal brand by Simons.
Climbing up the steps to the top is a large portrait of Brian Calvin.
The bright eyes of God, the charming lips and the lips, but not the beautiful appearance of women, have a fresh memory. In the design of the 2013 spring summer series, Raf Simons used its works to print.
The most closely associated with Simons is Sterling Ruby.
The two pieces of his porcelain statues stand alone in the exclusive space.
At the corner, Evan Holloway pendant ceiling device and Ron Arad semi arc steel chair watch each other. Holloway is the first large-scale art collection he collects.
"Every once in a while, I try to adjust the display to create freshness."
Raf Simons talked about her little family tip, "I really appreciate Nakajima Kazu, and the design of Gio Ponti and Finn Juhl.
As time goes on, their collections are more and more rich, surrounded by these beautiful things, so that I can withdraw from fashion and appreciate a world that has never been created. "
Jonathan Anderson: Ceramic addicts such as fake packages
Jonathan Anderson, one of the many names in the fashion world.
At a young age, he was also the creative director of LOEWE and J.W. Anderson. Even though he was pferred to the art circle, many people knew he was a collector and even a curator.
This big boy who keeps busy with fashion design every quarter, in his life, is a real guy who loves to play the antique home furnishing.
His little hobby stems from his childhood's fascination with the porcelain of various countries, and his work experience of Prada window decoration in the future.
"Look at the big and small ceramics on the side table, no matter whether the pot or flower organ is like an old maid, I am always looking for the works of Lucie Rie and John Ward.
Jonathan Anderson has different obsession with makeup houses. "Collections like disciplines, from early British textiles to black and white photography, especially Lionel Wendt, to abstract paintings and sculptures, I like to confuse" past "and" present ".
This Vitoria style house fills Jonathan Anderson's British feelings and is full of aesthetic and character different from his designer's identity.
On the left side of the living room is a black and white print from the hand of William Morris. Far from it, there is nothing special about it, but it is a history class art enough to be incorporated into the printing milestone.
Turn into the living room, sitting on the yellowwall furnace with a pair of V John Ward black and white utensils.
The image of a male student walking in a beige coat and head wrapped in black scarf is taken from the publicity blockbuster of the designer's personal name brand J.W. Anderson, which is made of Benjamin Bruno and Jamie Hawkesworth palm mirror.
Close to the bookshelf is the single board backrest wooden chair of Baillie Scott, which is typical of British architecture.
The Vanessa Bell printed cloth coexisting with abstraction and geometry is hung above, which is pieced together in a dark orange red and blue green block.
On the distant tea table, we can vaguely see the Jonathan Anderson from the second-hand market, the pioneer art magazine "CIRCLE" of the 30s.
Life and work are inextricably linked. Even if you are busy at home and live in a short house, Anderson will spend time with furniture and furniture.
"The living environment always reflects who you are, and my house is like a life journey without ending."
Christophe Lemaire: life is the way to express oneself.
Since the establishment of a personal brand, in the past ten years, Christophe Lemaire has always adhered to the design principles of anti-fashion (anti fashion). It seems to be simple but not simple, and desalinated by sex instead of season. Only because people feel good clothes, they must be people-oriented, so as to abide by the "timeless" realm.
If we try to spy on Christophe Lemaire and her wife and work partner Sarah-Linh Tran's lifestyle from the tailor made clothes, then we will have a hasty glance at the basic white shirts under their needles.
"We aim to understand the style and design life of women with elegant life."
The explanation of Tran is clearer and clearer. It is also a spiritual satisfaction for designers in their daily life.
Pastoral, sunshine, shade, atmosphere...
"I like those collections that are not easily defined.
In a very beautiful place, in a beautiful and exotic environment, like a poem. "
Instead of choosing luxurious houses in the centre of Paris, the Lemaire couple moved to nearby towns for holiday days.
Even if the fashion industry loses its appearance, life should not be deprived of the real meaning.
The white wooden door, which was only narrow enough for one person to enter, was covered by low pressure green leaves.
From the outside, you can't guess. Here is a fashion designer who once worked for creative director of Herm s.
The room was not as spacious as it imagined, not only with Morocco's Retro tonality, but also with a hint of Bohemia's freedom.
Lemaire's family kittens stick around on the wine red hand knitted blanket.
Inside the hall, a short walnut tea table was worn, and they were worn away with warm luster.
The huge Edison light bulb on the table is what's on the table.
The pillows scattered on the sofa have different patterns and fabrics. They match the blue tiger white blue porcelain with the blue tiger white blue celadon, and the brown coconut with the shoulders of the people.
The office area abandoned the precious artwork, and it smudled with the smell of literati's flavour. It was greeted with greengage and sunflower furniture, and a small set of antique silverware was laid on the thin wooden cabinets on the floor. There was also a couple of red wine that was very tender.
When you see Christophe Lemaire lying on the sofa and browsing through Italy photographer Luigi Ghirri book, you can find that they have found the common sense of poetry between creation and life -- poetry.
Pharrell Williams: never want to grow up playing coffee.
Pharrell Williams, which has just won the sixty-first annual Grammy Producer Award, is sure no one will question his status in European and American music and pop culture.
It is true that Philippine Dong did not want to stop expanding territory in various fields, including brand, hip hop creation and art crossover.
I'm afraid he needs more than a few blanks to fill up his curriculum vitae.
By the way, don't forget that he is also a home designer who has repeatedly boarded the layout of the media.
People who hold a large number of people in the same position will not let people want to explore the home life of Pharrell Williams.
In the villa of the Philippine Dong sea, the walls are covered with Venice plaster, a spectacular 9 meter high arc top.
The hole stone floor, from Italy, is equipped with the top kitchen utensils of Snaidero.
Surrounded by a pparent window without dead ends, full of bright natural lighting and unlimited wide view, it is easy for people to ease their worries and ease their minds.
"I hope to live a day watching clouds and watching the sea. Life should be like a fish bowl, colorful."
When asked to choose a term to describe herself, Pharrell Williams threw out the description of "kidult" without thinking. "I realize that it is hard for me to grow up again."
He wore a simple white T-shirt, casual BBC jeans shorts, across the living room arcade, and placed his favorite Pac-Man bean player in the armchair of French naturalist design Christian Liaigre, and even home theater was built purely for playing Mario racing.
If you want to include this set of Philippine residence, you can imagine that the most accurate word may be "Contemporary Art".
From now on, we can see from time to time the works of contemporary artists with highly identities.
On both sides of the circled ladder, hung KAWS's masterpiece by New York street artist, a collection of giant KAWS CHUM (with Michelin as the prototype) toy device on the glass wall that looks at the the Atlantic coast.
Besides, the classic images such as SpongeBob SquarePants, Simpson and The Smurfs are all cartoon characters who are fascinated by the Philippines. They appear in every corner of the house.
On the other side, a Murakami Takashi sphere, composed of thousands of bright sunflowers, sits on the hall.
In the bedroom on the two floor, the pop art Keith Haring's flying saucer painting is embedded in the center.
Along the corridor is a series of posters of CHANEL NO. 5 perfumes, which are hung by KAWS.
MEDICOM TOY and SILLY THING take the legendary band Beatles as the prototype to create the Can "t Buy My Love" 1000% rare doll, which is summed up in the collection list of Williams.
The corner leisure area, aside from the books that are available for free browsing, and the large red Verner Panton heart-shaped chair, and the "Perspective" human leg seat designed by the Philippines jointly with Domeau & P r s s.
Wu He: look at antique clothing such as boy of treasures.
At the beginning of 2014, Wu Hsu quickly rose with his own voice and dress at the beginning of his debut in 2014.
As the soul of Korean independent band Hyukoh, it seems that the popularity of the band is quite different from his age, but it has not slowed down him to become the idol of the new generation of young people.
Invited by the interior design magazine "Apartamento", Wu he first exposed his private residence.
Just like his original view in music creation, this young talent who graduated from Hongyi University's art department seems to have a special love for his family.
"My visual aesthetics greatly affects my identity, and it constantly shapes my personality."
Wu he tends to be attracted by different things. "The stagnant water will be rotten, and I will remain open to anything new."
This is why Wu he goes to a place every where, collects and collects his beloved little things and carries them back to Korea. They renew their knowledge of art, music and life as water circulation.
Wu Ho's residence near Seoul did not follow the decorating pattern of most artists' families, nor did he involve in the works of so many famous artists.
On the contrary, some 00 pieces of small ornaments and classical European style home become his favorite objects.
The walls are painted clean and clean. Even the wardrobe, bookcase, dining table and other furniture adopt corresponding tonality, including Verner Panton desks and chairs that are famous for their bold innovation, and the Danish lamp brand Louis Poulsen, which is used in the whole space.
There are two rows of Korean artists Park Gwang-soo at the table, and he also produced Tomboy music videos for Hyukoh.
The small space isolated from upstairs is the function room where the band members come to Wu Hejia to compose music. There are professional equipment such as microphone, guitar, electronic drum, amplifier and sound.
In addition to working hours, Wu he usually prefers to accompany his dog Oye in the upstairs bedroom. Occasionally he goes downstairs to the sofa to sit and watch a movie and listen to music.
On the wall of Wu he's bedroom, the counter set up by the fault is inlaid with a pile of furnishings on top. The wooden COMPANION station of New York street artist KAWS and KARIMOKU is on the top right corner, and next to it is the UNDERCOVER GILAPPLE Apple lamp.
The following are a series of deconstructed fashion masters Maison Margiela's early "Replica" sneakers and "Tabi" flat bottomed boots.
"Over the past few years, I have been obsessed with the collection of vintage's Margiela, Helmut Lang and Raf Simons, which are something I never want to lose in the house."
Mentioning his favorite objects, Wu Hector obviously sees clothes as more important than anything else.
My best work is my life -- Duchamp.
Like Raf Simons, Jonathan Anderson and Christophe Lemaire, the famous designers in the industry, who go deep into the flourishing industry, often run around the most beautiful fashion capital in the world, but still want to stay in the small world known as "home", even if it is far away from prosperity.
"In this field, I know that one day I will work in other places, but no matter in Paris or New York, no matter how busy I am, I will always keep my home in Antwerp."
Although today's Raf Simons does not have enough time to live in Antwerp, "the family has all the romantic elements, and it is also my refuge."
Whether designers or musicians, you can label life as a whole art career that has lasted the longest time and has the most complete content.
It is not just the daily dripping that exists in the solitude of space to satisfy one's personal interests. What is more important is that the facade of life also reflects that this group of people thinks of it as creative.
Only in that secret world can life be subtly changed so that it can be pure and truly become the "artwork" that represents itself.
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